#Best 303 emulator mac how to
#Best 303 emulator mac mod
#Best 303 emulator mac full

LetвЂ™s first drive the low end as we want the ABL2 to be present as our main bassline and for that weвЂ™re going to need to give it some more weight.В WeвЂ™ve turned the saturation dial almost a quarter clockwise and set the LOW CUT to about 85Hz while boosting the LOW GAIN. Just play around with the EQ settings in the same way we have. WeвЂ™ve chosen the Softube Focusing Equalizer but you can use anything. To do so, load up an EQ to push some of the juicier frequency bands. We want to accentuate these modulations as much as possible. Now we have the filter modulations weвЂ™re well on our way to the classic squelchy TB-303 sound that we are looking for. Not everyone can deliver the perfect take! CUTOFF modulation RESON modulation Step 3: EQ & Saturation For example, weвЂ™ve made a performance recording of the CUTOFF and RESON and slightly tweaked using our mouse afterwards. You can also combine both techniques by recording a jam, and editing or looping the recorded envelopes in the editor afterwards. However, in case you donвЂ™t have a midi controller to hand you can use the Envelope section in the midi editor within Live to manually alter your filter movements.

You can use any midi controller with rotaries to control the ABL2 by hand. This is preferably done hands-on in real time by playing the sequence, either from the actual machine or from within Live, and afterwards adjusting the parameters for the desired effect.

The TB-303 has only a few parameters to play around with, but by modulating them you can create a large variety of sounds with signifiant movement into an otherwise lifeless sequence. ABL2 settings tweaked Step 2: Filter Modulation

#Best 303 emulator mac mod

To do so, weвЂ™ve increased the DISTORT, CUTOFF, RESON and ENV MOD by turning them all clockwise to taste. This way you can always return to your starting point! Top Tip: Take a screen-shot of your initial setting, as you are likely to heavily tweak this patch. ДЄt this point, the bassline sounds flat and dull.В To inject some much needed life, weвЂ™re going to play around with the ABL2 settings prior to any external processing. WeвЂ™ve kept things simple yet effective with the below pattern and the neutral/factory settings on the ABL.

#Best 303 emulator mac full

The sawtooth has a thinner and more aggressive tone in comparison to the more full bodied square wave, so we will use the sawtooth for this patch. Like the original TB-303, the ABL2 has a single oscillator with either a sawtooth or square wave. This allows us to create our own midi pattern in LiveвЂ™s piano roll where each midi note triggers one note as opposed to PATTERN where every midi note will trigger a pre-programmed factory pattern in the ABL. You can closely replicate this tutorial using any DAW or plugin.

#Best 303 emulator mac how to

In this tutorial weвЂ™re going to show how to make an Acid House bassline using the AudioRealism ABL2 a popular TB-303 emulation. Unfortunately, вЂњTen Ragas to a Disco BeatвЂќ had only a minor impact on the development of electronic music at the time and it was when PhutureвЂ™s вЂњAcid Trax вЂњ was released in 1987 that the worldwide spread of Acid House took hold. His album Ten Ragas to a Disco Beat was the result of various experimentations with the unit and is now widely recognised as possibly the first album featuring Acid basslines. However, for many Acid had already been debuted several years prior, when Indian musician Charanjit Singh recognised the instrumentвЂ™s untapped and unintended potential to create liquid basslines.

After playing around with the unit for a few years, many attribute their release вЂњAcid TraxвЂќ in 1987 as the first Acid House release. However, the instrument had a second life when a group of electronic musicians from Chicago known as Phuture picked up a cheap TB-303 and explored its full liquid potential. Oscar Peterson on the Roland PianoPlus accompanied by a Roland TR-606 and TB-303